The work being exhibited is from \u2018Phase 01\u2019 of the semester, in which we asked the students to examine the human body (their assigned partner) as a \u2018building site.\u2019 In this phase we examined the following:<\/p>\n
1.\u00a0\u00a0\u00a0\u00a0\u00a0Survey processes (scanning the body)<\/p>\n
2.\u00a0\u00a0\u00a0\u00a0\u00a0The agency of digital fabrication methods (the influence of fabrication on articulation)<\/p>\n
This \u2018Bootcamp\u2019 (this is what we typically call our first semester phase) was meant to both teach students methods in digital thinking while setting a precedence in subject and process for the rest of the semester.<\/p>\n
The title of the semester assignment is \u2018Domestic Prosthetics.\u2019<\/p>\n
The students are designing \u2018caretaker\u2019 residences for one of two building ruins:<\/p>\n
1.\u00a0\u00a0\u00a0\u00a0\u00a0The Jarlshof prehistoric and norse ruin in the Shetland Islands, Scotland<\/p>\n
2.\u00a0\u00a0\u00a0\u00a0\u00a0The Hald Ruin site in Viborg, Denmark<\/p>\n
The prosthetics to be exhibited are one of many design influences (examined over the semester) meant to influence the students ability to design a 21st\u00a0century prosthetic that houses an on-site caretaker.<\/p>\n
Adjective<\/strong><\/p>\n 1. Denoting an artificial body part, such as a limb, a heart, or a breast implant.<\/p>\n 2. Denoting a substance, item, or process used to transform a person\u2019s appearance temporarily.<\/p>\n Noun<\/strong><\/p>\n 3. An artificial body part meant to compensate for an inefficiency or defect.<\/p>\n 4. An appearance-altering substance or item applied to a person\u2019s body.<\/p>\n Prosthetics\u00a0provide countless analogs towards architectural exploration as they represent technological advancements at the intersection of analytical processes, material properties, and emergent machining systems \u2013 all to better a human condition. And while\u00a0prosthetics\u00a0are often defined as something meant to \u2018compensate for an inefficiency,\u2019 the actual definition is quite broad:\u00a0Prosthetics\u00a0can project and compensate for an emotional condition just as well as a physical condition \u2013 so long as the analysis of the body (the host) is a clear driver in the articulation of the apparatus.<\/p>\n Robert B. Trempe Jr<\/p>\n Dagmar Reinhardt<\/p>\n Claudia Carbone<\/p>\n And students from<\/p>\n Studio 2B\u200b<\/p>\n","protected":false},"featured_media":77150,"template":"","eventkategori":[1939,1940],"class_list":["post-256468","event","type-event","status-publish","has-post-thumbnail","hentry","eventkategori-ekstern-kalender-en","eventkategori-udstilling-en"],"yoast_head":"\n