{"id":109857,"date":"2020-11-27T15:30:36","date_gmt":"2020-11-27T14:30:36","guid":{"rendered":"https:\/\/aarch.dk\/?p=109857"},"modified":"2020-11-30T21:22:39","modified_gmt":"2020-11-30T20:22:39","slug":"drawing-of-the-year-2020-the-winners","status":"publish","type":"post","link":"https:\/\/aarch.dk\/en\/drawing-of-the-year-2020-the-winners\/","title":{"rendered":"Drawing of the Year 2020: The Winners"},"content":{"rendered":"
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News<\/a><\/p>\n<\/div><\/section>\n

DRAWING OF THE YEAR 2020: THE WINNERS<\/h1>\n<\/div><\/section>\n

The Aarhus School of Architecture proudly presents: This year’s winners of the international students’ drawing competition.<\/p>\n<\/div><\/section>\n

27.11.2020<\/p>\n<\/div><\/section>\n\n<\/div><\/div><\/main><\/div><\/div>

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The theme this year was Hand Me A Drawing<\/em>, a celebration of the analogue ways of drawing.<\/p>\n

“Drawing is such a powerful tool. It has been forever the ultimate form of expression of ideas in our profession before and after, but even beyond, architecture is built.<\/p>\n

Nowadays there is an urgent search for ways of representing desires, dreams but more than ever using a tool to open different channels of communication to allow our practice to expand its limits and be able to include the other that is currently not represented.”<\/p>\n

– Tatiana Bilbao, member of the jury.<\/p>\n<\/div><\/section><\/div>

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1st PRIZE<\/h5>\n

Clement Laurencio (FR)
\nBartlett School of Architecture (UK)<\/p>\n

PAVILIONS FOR CONVERSATION<\/h5>\n

Far away from any soul and nestled deep within the vast flood plains, three stone Pavilions still stand strong, decades after the inevitable sea rise. These ruins once held vast crowds of people from around the world, engaging in conversations… all around a cup of tea. Carved out of stone, the Pavilions recall ancient caverns. Up above, the sandstone roof has been filtering the rainwater all this time, providing clean water for tea to be served, and conversations to flourish.<\/p>\n<\/div><\/section>
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Clement Laurencio (FR)<\/div>Clement Laurencio (FR)<\/small><\/div><\/div><\/p><\/div>
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2nd PRIZE<\/h5>\n

Angela Lehner (AU)
\nEdinburgh school of architecture (UK)<\/p>\n

THE STRIPPERS CLUB<\/h5>\n

The Strippers\u2019 Club is the attempt to create a contemporary appropriation of the Working Men\u2019s Clubs. Based in Edinburgh\u2019s Exchange Financial District it is a club for strippers to socialise, participate, play, build, wax, organise as other workers do and have done for a long time. A space to celebrate their work, perhaps to help out with daily struggles by providing certain services, but mainly just giving a lot of choice. The building is composed around specific views, texture and movements.<\/p>\n<\/div><\/section>
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Angela Lehner (AU)<\/div><\/div><\/div>
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3rd PRIZE<\/h5>\n

Rosa Prichard (UK)
\nAarhus School of Architecture (DK)<\/p>\n

ANALOGUE SUSTAINABILITY, THE CLIMATE REFUGEES OF SAN FRANCISCO<\/h5>\n

This pencil-drawn plan is a fragment of an inhabited flood-defence wall in which climate refugees can mourn the loss of their homes. The spectacles of water purification and energy production are celebrated, encouraging respect for our most precious resources. The project explores togetherness and climate action, both particularly relevant in the wake of Covid-19. The wonder of the analogue is celebrated through architecture and drawing, to capture atmospheres which the digital simply cannot.<\/p>\n<\/div><\/section>
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Drawing of the Year 2020: The Winners<\/div><\/div><\/div>
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Special mention<\/h5>\n

Anna Guseva (RU)
\nKazan State University of Architecture and Engineering (RU)<\/p>\n

THROUGH THE MONUMENT VALLEY<\/h5>\n

We are stunned by natural wonders and remnants of the past. Colossal rocks, like natural Monument Valley or man-made Stonehenge, provoke thoughts on how humans and nature co-exist. In the city, people need iconic memorials of natural awe and co-existence, the new Monument Valley! Let’s set ‘mountainous’ mixed-use levels in urban housing, with terrace-hiking tracks outside and endless-height caves inside. It is an urban quest to regain awe for nature and creativity. Find it. Solve it. Feel it.<\/p>\n<\/div><\/section>
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Anna Guseva<\/div><\/div><\/div>
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Special Mention<\/h5>\n

Laurits Honor\u00e9 R\u00f8nne (DK)
\nThe Royal Academy, Institute of of Architecture, Urbanism and Landscape (DK)<\/p>\n

ORBIT ILLUSTRATION STUDY<\/h5>\n

The drawing examines human flow at night around a circular illuminated kiosk at N\u00f8rreport Station in Copenhagen. In the drawing, I have been working with the experience of getting enveloped in light when you walk towards the illuminated kiosk at night. I began the work by walking towards the kiosk at different tempi and tried to put myself in orbit.<\/p>\n<\/div><\/section>
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Laurits R\u00f8nne<\/div><\/div><\/div>
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Special Mention<\/h5>\n

Vladimir Balasanyan (RU)
\n\u00c9cole Nationale Sup\u00e9rieure Paris-Malaquais (FR)<\/p>\n

ARCHISCULPTURE<\/h5>\n

It is the interaction of forms, textures and silhouettes that makes architecture. In a certain sense, architecture becomes sculpture. But where is the line between\u00a0sculpture and architecture? How do we move from one scale to another? These are the questions I was wondering about when I created this work.<\/p>\n<\/div><\/section>
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Vladimir Balasanyan<\/div><\/div><\/div>
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Special Mention<\/h5>\n

Karim Shammazov (RU)
\nKazan state university of architecture and civil engineering (RU)<\/p>\n

237<\/h5>\n

In the modern world, most cities are overloaded. The best solution is to create a single center, so we will unload the city and combine useful areas in one place. It perfectly combines all the entertainment and business centers. It will be a great place for recreation, work, housing and sports for everyone.<\/p>\n<\/div><\/section>
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Karim Shammazov<\/div><\/div><\/div>
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Special Mention<\/h5>\n

Yennifer Johana Machado Londo\u00f1o (CO)
\nUniversidad Nacional de Colombia Sede Medell\u00edn (CO)<\/p>\n

DIFFERENT PERSPECTIVES OF THE COVID-19 QUARANTINE IN LATIN AMERICA<\/h5>\n

In times like these, when those places hosting public and collective activities are permanently asleep, residential spaces gain importance largely in terms of their flexibility. If the public realm, and its expression in the city, is the great equalizer between all peoples, in our fragmented cities this need for spaces that adequately serve as vessels for humanity has put in evidence, once more, the inequalities present in our history that are forever imprinted in the built environment.<\/p>\n<\/div><\/section>
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Yennifer Johana Machado Londo\u00f1o<\/div><\/div><\/div><\/p><\/div>
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