{"id":152733,"date":"2022-05-03T09:00:59","date_gmt":"2022-05-03T07:00:59","guid":{"rendered":"https:\/\/aarch.dk\/ornamenter\/"},"modified":"2025-01-09T14:25:34","modified_gmt":"2025-01-09T13:25:34","slug":"ornamenter","status":"publish","type":"post","link":"https:\/\/aarch.dk\/en\/ornamenter\/","title":{"rendered":"Do Robots Dream of Digital Ornamentation?"},"content":{"rendered":"<div id='av_section_1'  class='avia-section main_color avia-section-large avia-no-border-styling  av-section-color-overlay-active avia-bg-style-scroll  avia-builder-el-0  el_before_av_section  avia-builder-el-first  aa-block-big-image-with-title-date-1  av-minimum-height av-minimum-height-50  av-section-with-video-bg container_wrap fullsize' style='background-color: #d9d6d3;  '   data-av_minimum_height_pc='50' data-section-video-ratio='16:9'><div   data-size='featured'  data-lightbox_size='large'  data-animation='slide'  data-conditional_play=''  data-ids=''  data-video_counter='1'  data-autoplay='false'  data-bg_slider='false'  data-slide_height=''  data-handle=''  data-interval='5'  data-class=' av-section-video-bg'  data-el_id=''  data-css_id=''  data-scroll_down=''  data-control_layout=''  data-custom_markup=''  data-perma_caption=''  data-autoplay_stopper=''  data-image_attachment=''  data-min_height='0px'  data-default-height='28.666666666667'  class='avia-slideshow avia-slideshow-1  av-default-height-applied avia-slideshow-featured   av-section-video-bg avia-slide-slider '  itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><ul class='avia-slideshow-inner ' style='padding-bottom: 28.666666666667%;' ><li  data-controls='disabled' data-mute='aviaTBaviaTBvideo_mute' data-loop='1' data-disable-autoplay=''  data-video-ratio='3.4883720930233' class=' av-video-slide  av-video-service-iframe  av-hide-video-controls av-mute-video av-loop-video av-single-slide slide-1 ' ><div data-rel='slideshow-1' class='avia-slide-wrap '   ><iframe title=\"Decorative background video with a student working with robots\" src=\"\/\/player.vimeo.com\/video\/704054216?background=1&amp;loop=1&amp;autopause=0\"> <\/iframe> <div class='av-click-to-play-overlay'><div class=\"avia_playpause_icon\"><\/div><\/div><\/div><\/li><\/ul><\/div><div class='av-section-color-overlay-wrap'><div class='av-section-color-overlay' style='opacity: 0.3; background-color: #000000; '><\/div><div class='container' ><main  role=\"main\" itemprop=\"mainContentOfPage\"  class='template-page content  av-content-full alpha units'><div class='post-entry post-entry-type-page post-entry-152733'><div class='entry-content-wrapper clearfix'>\n<div  style='height:40px' class='hr hr-invisible   avia-builder-el-1  el_before_av_textblock  avia-builder-el-first '><span class='hr-inner ' ><span class='hr-inner-style'><\/span><\/span><\/div>\n<section class=\"av_textblock_section \"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock font-universe-std headline-special headline-special-size-3 '   itemprop=\"text\" ><h1 style=\"text-align: center; margin-bottom: 0;\">Do Robots Dream of Digital Ornamentation?<\/h1>\n<\/div><\/section>\n\n<\/div><\/div><\/main><!-- close content main element --><\/div><\/div><\/div><div id='av_section_2'  class='avia-section main_color avia-section-no-padding avia-no-border-styling  avia-bg-style-scroll  avia-builder-el-3  el_after_av_section  el_before_av_section  ao-text-block-1 ao-medium-text-paragraf ao-dark ao-medium-text-heading  container_wrap fullsize' style='background-color: #f6f6f6;  '  ><div class='container' ><div class='template-page content  av-content-full alpha units'><div class='post-entry post-entry-type-page post-entry-152733'><div class='entry-content-wrapper clearfix'>\n<div class=\"flex_column av_one_full  flex_column_div first  avia-builder-el-4  avia-builder-el-no-sibling  \" style='padding:9%!important; border-radius:0px; '><section class=\"av_textblock_section \"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock ao-quote-1 av_inherit_color '  style='color:#000000; '  itemprop=\"text\" ><h2 style=\"text-align: center;\">03.05.2022<\/h2>\n<h2 style=\"text-align: center;\">The ornament is dead &#8211; long live the ornament! Architecture Student Filip Nyborg currently investigates whether robots can help us rediscover an element we have lost.<\/h2>\n<\/div><\/section><\/div>\n\n<\/div><\/div><\/div><!-- close content main div --><\/div><\/div><div id='av_section_3'  class='avia-section main_color avia-section-no-padding avia-no-border-styling  avia-full-stretch avia-bg-style-fixed  avia-builder-el-6  el_after_av_section  el_before_av_layout_row   container_wrap fullsize' style='background-repeat: no-repeat; background-image: url(https:\/\/aarch.dk\/wp-content\/uploads\/2022\/04\/FILIP-8-kopi.png);background-attachment: fixed; background-position: top center;  '  data-section-bg-repeat='stretch'><div class='container' ><div class='template-page content  av-content-full alpha units'><div class='post-entry post-entry-type-page post-entry-152733'><div class='entry-content-wrapper clearfix'>\n<div class=\"flex_column av_three_fifth  av-animated-generic bottom-to-top  flex_column_div first  avia-builder-el-7  el_before_av_two_fifth  avia-builder-el-first  \" style='margin-top:12%!important; margin-bottom:12%!important; background: #ffffff; padding:9%!important; background-color:#ffffff; border-radius:0px; '><section class=\"av_textblock_section \"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock ao-dark ao-medium-text-paragraf av_inherit_color '  style='color:#0a0a0a; '  itemprop=\"text\" ><p>What happened to ornamentation?\u00a0 Once upon a time, artistic &#8211; and craftsman &#8211; decoration was a fixed part of the process of constructing a building. Today, the ornamentation has been peeled off, and \u2018clean\u2019 surfaces have become dominant.<\/p>\n<p>But it is just possible that ornamentation is making a comeback \u2013 but this time with the robot in the role of craftsman.<\/p>\n<\/div><\/section><\/div><div class=\"flex_column av_two_fifth  av-animated-generic bottom-to-top  av-hide-on-mobile  flex_column_div   avia-builder-el-9  el_after_av_three_fifth  el_before_av_two_fifth  \" style='margin-top:12%!important; margin-bottom:12%!important; border-radius:0px; '><\/div><div class=\"flex_column av_two_fifth  av-animated-generic bottom-to-top  av-hide-on-mobile  flex_column_div first  avia-builder-el-10  el_after_av_two_fifth  el_before_av_three_fifth  \" style='margin-top:0; margin-bottom:12%!important; '><\/div><div class=\"flex_column av_three_fifth  av-animated-generic bottom-to-top  flex_column_div   avia-builder-el-11  el_after_av_two_fifth  el_before_av_three_fifth  \" style='margin-top:0; margin-bottom:12%!important; background: #ffffff; padding:9%!important; background-color:#ffffff; border-radius:0px; '><section class=\"av_textblock_section \"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock ao-dark ao-medium-text-paragraf av_inherit_color '  style='color:#0a0a0a; '  itemprop=\"text\" ><h3>Memories of the future<\/h3>\n<p>Filip Nyborg from Studio 2B is working on his master&#8217;s project, Memories of the future. Right now, he is operating a joystick in Aarhus School of Architecture&#8217;s Robot Lab, while the drill of the machine works its way into the brown terracotta in front of him, to the accompaniment of squealing sounds.<br \/>\n\u2018I made the choice of working with only one material in order to obtain a deeper understanding of this material. Despite this choice, the complexity of my project has exploded\u2019, says Filip.<\/p>\n<h3>Aesthetically the purest<\/h3>\n<p>At the heart of the project, lies Filip&#8217;s fascination with the encounter between the digital and the artistic. He uses physical samples and research to explore the role of ornamentation in the modern world.<\/p>\n<\/div><\/section><\/div><div class=\"flex_column av_three_fifth  av-animated-generic bottom-to-top  flex_column_div first  avia-builder-el-13  el_after_av_three_fifth  el_before_av_two_fifth  \" style='margin-top:0; margin-bottom:12%!important; background: #ffffff; padding:9%!important; background-color:#ffffff; border-radius:0px; '><section class=\"av_textblock_section \"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock ao-dark ao-medium-text-paragraf av_inherit_color '  style='color:#0a0a0a; '  itemprop=\"text\" ><p><span lang=\"EN-GB\">\u2018The ornament is the least prominent element of our modern built environment, but it is also aesthetically the purest element. In practical terms, ornaments and decoration are useless. This lack of practical qualities makes addressing the ornament difficult, and it is often left out of discussions. Nevertheless, architects invariably need to deal with the issue of decoration at some point of the design process. This should be more than just an afterthought,\u2019 says Filip Nyborg.<\/span><\/p>\n<h3><span lang=\"EN-GB\">The language barrier between man and machine<\/span><\/h3>\n<p><span lang=\"EN-GB\">One thing Filip did as part of his process was to interview a ceramic worker. Filip also adapts his own tools &#8211; e.g. by constructing drills for the robot.<\/span><\/p>\n<\/div><\/section><\/div><div class=\"flex_column av_two_fifth  av-animated-generic bottom-to-top  av-hide-on-mobile  flex_column_div   avia-builder-el-15  el_after_av_three_fifth  avia-builder-el-last  \" style='margin-top:0; margin-bottom:12%!important; '><\/div>\n\n<\/div><\/div><\/div><!-- close content main div --><\/div><\/div><div id='av-layout-grid-1'  class='av-layout-grid-container entry-content-wrapper alternate_color av-flex-cells     avia-builder-el-16  el_after_av_section  el_before_av_layout_row  av-cell-min-height av-cell-min-height-75 submenu-not-first container_wrap fullsize' style=' '   data-av_minimum_height_pc='75'>\n<div class=\"flex_cell no_margin av_one_half  avia-builder-el-17  el_before_av_cell_one_half  avia-builder-el-first   avia-full-stretch \"  style='background:url(https:\/\/aarch.dk\/wp-content\/uploads\/2022\/04\/FILIP-12-kopi.png) center center no-repeat scroll #ededed; vertical-align:top; background-color:#ededed; ' ><div class='flex_cell_inner' ><div  style=' margin-top:150px; margin-bottom:150px;'  class='hr hr-custom hr-center hr-icon-no   avia-builder-el-18  avia-builder-el-no-sibling '><span class='hr-inner  inner-border-av-border-none' style=' width:50px;' ><span class='hr-inner-style'><\/span><\/span><\/div>\n<\/div><\/div><div class=\"flex_cell no_margin av_one_half  avia-builder-el-19  el_after_av_cell_one_half  avia-builder-el-last   \"  style='background: #f6f6f6; vertical-align:middle; padding:9%!important; background-color:#f6f6f6; ' ><div class='flex_cell_inner' ><section class=\"av_textblock_section \"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock ao-dark ao-medium-text-paragraf ao-medium-text-heading av_inherit_color '  style='color:#0a0a0a; '  itemprop=\"text\" ><p>\u2018I am trying to establish a compromise &#8211; or open up a dialogue &#8211; between the craft and the digital. This is my way of trying to do away with the language barrier between humans and robots.\u2019<\/p>\n<p>The nature of the project is experimental. This means Filip will not necessarily reach any definite conclusion. Perhaps the clay prototypes and the catalogue of what he created will be all that remains.<\/p>\n<h3>Trees without leaves<\/h3>\n<p>In view of today\u2019s financial framework and building culture, imagining the return of the original craftsman would merely be wishful thinking, according to Filip.<\/p>\n<p>But this means there is all the more reason to explore the possibilities of reintroducing the qualities of craftsmanship into architecture. And robots potentially offer a cost-effective way of reintegrating ornaments.<\/p>\n<\/div><\/section>\n<\/div><\/div>\n<\/div>\n<div id='av-layout-grid-2'  class='av-layout-grid-container entry-content-wrapper main_color av-flex-cells     avia-builder-el-21  el_after_av_layout_row  el_before_av_section  ao-white av-cell-min-height av-cell-min-height-75 submenu-not-first container_wrap fullsize' style=' '   data-av_minimum_height_pc='75'>\n<div class=\"flex_cell no_margin av_one_half  avia-builder-el-22  el_before_av_cell_one_half  avia-builder-el-first   \"  style='background: #c4c4c4; vertical-align:middle; padding:9%!important; background-color:#c4c4c4; ' ><div class='flex_cell_inner' ><section class=\"av_textblock_section \"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock ao-dark ao-medium-text-paragraf ao-medium-text-heading av_inherit_color '  style='color:#ffffff; '  itemprop=\"text\" ><p>\u2018To modernist architect Louis Sullivan, a building without ornaments was as inconceivable as a tree without leaves\u2019, Filip states.<\/p>\n<p>Yet, this is how much of our built environment looks today: leafless.<\/p>\n<h3>Peacocks and lilies<\/h3>\n<p>Filip hopes Memories of the future may contribute to reintroducing into the process the least useful elements of construction. For these elements are, in the words of art critic John Ruskin, often also the most beautiful:<\/p>\n<p><em>Remember that the most beautiful things in life are often the most useless; peacocks and lilies for instance.<\/em><br \/>\n(John Ruskin, 1851)<\/p>\n<\/div><\/section>\n<\/div><\/div><div class=\"flex_cell no_margin av_one_half  avia-builder-el-24  el_after_av_cell_one_half  avia-builder-el-last   avia-full-stretch \"  style='background:url(https:\/\/aarch.dk\/wp-content\/uploads\/2022\/04\/FILIP-4-kopi.png) center center no-repeat scroll #f6f6f6; vertical-align:middle; background-color:#f6f6f6; ' ><div class='flex_cell_inner' ><div  style=' margin-top:150px; margin-bottom:150px;'  class='hr hr-custom hr-center hr-icon-no   avia-builder-el-25  avia-builder-el-no-sibling '><span class='hr-inner  inner-border-av-border-none' style=' width:50px;' ><span class='hr-inner-style'><\/span><\/span><\/div>\n<\/div><\/div>\n<\/div>\n<div id='av_section_4'  class='avia-section main_color avia-section-no-padding avia-no-border-styling  avia-bg-style-fixed  avia-builder-el-26  el_after_av_layout_row  el_before_av_section   container_wrap fullsize' style=' '  ><div class='container' ><div class='template-page content  av-content-full alpha units'><div class='post-entry post-entry-type-page post-entry-152733'><div class='entry-content-wrapper clearfix'>\n<div class=\"flex_column av_one_full  av-animated-generic bottom-to-top  av-hide-on-mobile  flex_column_div first  avia-builder-el-27  avia-builder-el-no-sibling  \" style='margin-top:12%!important; margin-bottom:12%!important; border-radius:0px; '><div  class='avia-gallery  avia-gallery-1 avia_lazyload avia-gallery-animate avia_animate_when_visible  avia-builder-el-28  avia-builder-el-no-sibling '  itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><div class='avia-gallery-thumb'> <a href='https:\/\/aarch.dk\/wp-content\/uploads\/2022\/04\/filip-ornament-400x453-1.png' data-rel='gallery-1' data-prev-img='https:\/\/aarch.dk\/wp-content\/uploads\/2022\/04\/filip-ornament-400x453-1-400x400.png' class='first_thumb lightbox ' data-onclick='1' title='Filip Nyborg ornament'  itemprop=\"thumbnailUrl\" ><img data-avia-tooltip='Drilling in terracotta ' src='https:\/\/aarch.dk\/wp-content\/uploads\/2022\/04\/filip-ornament-400x453-1.png' width='400' height='453'  title='filip ornament 400x453' alt='Filip Nyborg ornament' \/><\/a> <a href='https:\/\/aarch.dk\/wp-content\/uploads\/2022\/04\/FILIP-4-kopi-1030x687.png' data-rel='gallery-1' data-prev-img='https:\/\/aarch.dk\/wp-content\/uploads\/2022\/04\/FILIP-4-kopi-495x400.png' class='lightbox ' data-onclick='2' title='Six of Filip&#039;s finished panels'  itemprop=\"thumbnailUrl\" ><img data-avia-tooltip='Six of Filip&#8217;s finished panels ' src='https:\/\/aarch.dk\/wp-content\/uploads\/2022\/04\/FILIP-4-kopi-400x453.png' width='400' height='453'  title='FILIP 4 kopi' alt='Filip Nyborg: Ornamenter' \/><\/a> <a href='https:\/\/aarch.dk\/wp-content\/uploads\/2022\/04\/FILIP-12-kopi-1030x687.png' data-rel='gallery-1' data-prev-img='https:\/\/aarch.dk\/wp-content\/uploads\/2022\/04\/FILIP-12-kopi-495x400.png' class='lightbox ' data-onclick='3' title='Filip remote controlling the robot'  itemprop=\"thumbnailUrl\" ><img data-avia-tooltip='Filip remote controlling the robot ' src='https:\/\/aarch.dk\/wp-content\/uploads\/2022\/04\/FILIP-12-kopi-400x453.png' width='400' height='453'  title='FILIP 12 kopi' alt='Filip Nyborg' \/><\/a> <a href='https:\/\/aarch.dk\/wp-content\/uploads\/2022\/04\/FILIP-8-kopi-1030x687.png' data-rel='gallery-1' data-prev-img='https:\/\/aarch.dk\/wp-content\/uploads\/2022\/04\/FILIP-8-kopi-495x400.png' class='lightbox ' data-onclick='4' title='The robot at work'  itemprop=\"thumbnailUrl\" ><img data-avia-tooltip='The robot at work ' src='https:\/\/aarch.dk\/wp-content\/uploads\/2022\/04\/FILIP-8-kopi-400x453.png' width='400' height='453'  title='FILIP 8 kopi' alt='Filip Nyborg: Ornamenter 1' \/><\/a> <a href='https:\/\/aarch.dk\/wp-content\/uploads\/2022\/04\/Filip-x-3-kopi-1030x687.png' data-rel='gallery-1' data-prev-img='https:\/\/aarch.dk\/wp-content\/uploads\/2022\/04\/Filip-x-3-kopi-495x400.png' class='first_thumb lightbox ' data-onclick='5' title='One of Filip\u2019s homemade tools'  itemprop=\"thumbnailUrl\" ><img data-avia-tooltip='One of Filip\u2019s homemade tools ' src='https:\/\/aarch.dk\/wp-content\/uploads\/2022\/04\/Filip-x-3-kopi-400x453.png' width='400' height='453'  title='Filip x 3 kopi' alt='Do Robots Dream of Digital Ornamentation?' \/><\/a> <a href='https:\/\/aarch.dk\/wp-content\/uploads\/2022\/04\/Filip-x-5-kopi-1030x687.png' data-rel='gallery-1' data-prev-img='https:\/\/aarch.dk\/wp-content\/uploads\/2022\/04\/Filip-x-5-kopi-495x400.png' class='lightbox ' data-onclick='6' title='Filip designed his tools with the assistance of a ceramic worker'  itemprop=\"thumbnailUrl\" ><img data-avia-tooltip='Filip designed his tools with the assistance of a ceramic worker ' src='https:\/\/aarch.dk\/wp-content\/uploads\/2022\/04\/Filip-x-5-kopi-400x453.png' width='400' height='453'  title='Filip x 5 kopi' alt='Do Robots Dream of Digital Ornamentation?' \/><\/a> <a href='https:\/\/aarch.dk\/wp-content\/uploads\/2022\/04\/Filip-x-8-kopi-1030x687.png' data-rel='gallery-1' data-prev-img='https:\/\/aarch.dk\/wp-content\/uploads\/2022\/04\/Filip-x-8-kopi-495x400.png' class='lightbox ' data-onclick='7' title='The first prototype of the tool did look rather homemade'  itemprop=\"thumbnailUrl\" ><img data-avia-tooltip='The first prototype of the tool did look rather homemade ' src='https:\/\/aarch.dk\/wp-content\/uploads\/2022\/04\/Filip-x-8-kopi-400x453.png' width='400' height='453'  title='Filip x 8 kopi' alt='Do Robots Dream of Digital Ornamentation?' \/><\/a> <a href='https:\/\/aarch.dk\/wp-content\/uploads\/2022\/04\/Filip-x-10-kopi-1030x687.png' data-rel='gallery-1' data-prev-img='https:\/\/aarch.dk\/wp-content\/uploads\/2022\/04\/Filip-x-10-kopi-495x400.png' class='lightbox ' data-onclick='8' title='The brush takes care of the finer details'  itemprop=\"thumbnailUrl\" ><img data-avia-tooltip='The brush takes care of the finer details ' src='https:\/\/aarch.dk\/wp-content\/uploads\/2022\/04\/Filip-x-10-kopi-400x453.png' width='400' height='453'  title='Filip x 10 kopi' alt='Do Robots Dream of Digital Ornamentation?' \/><\/a><\/div><\/div><\/div>\n\n<\/div><\/div><\/div><!-- close content main div --><\/div><\/div><div id='av_section_5'  class='avia-section main_color avia-section-large avia-no-border-styling  avia-bg-style-scroll  avia-builder-el-29  el_after_av_section  el_before_av_layout_row  content-padding-bottom-0  container_wrap fullsize' style='background-color: #f2f2f0;  '  ><div class='container' ><div class='template-page content  av-content-full alpha units'><div class='post-entry post-entry-type-page post-entry-152733'><div class='entry-content-wrapper clearfix'>\n<div class='flex_column_table av-equal-height-column-flextable -flextable' ><div class=\"flex_column av_three_fifth  flex_column_table_cell av-equal-height-column av-align-bottom av-zero-column-padding first  avia-builder-el-30  el_before_av_one_fifth  avia-builder-el-first  \" style='border-radius:0px; '><section class=\"av_textblock_section \"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock  '   itemprop=\"text\" ><p class=\"font-size-xsmall margin-bottom-30 color-grey\"><strong class=\"color-02\">M\u00c5SKE ER DU OGS\u00c5 INTERESSERET I DETTE<\/strong><\/p>\n<h3 class=\"font-size-large margin-bottom-0 color-02\">RELATERET INDHOLD<\/h3>\n<\/div><\/section><\/div><div class='av-flex-placeholder'><\/div><div class=\"flex_column av_one_fifth  flex_column_table_cell av-equal-height-column av-align-bottom av-zero-column-padding   avia-builder-el-32  el_after_av_three_fifth  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Autoclose: 1 -->\n\n<\/div><\/div><\/div><!-- close content main div --><\/div><\/div><div id='av-layout-grid-3'  class='av-layout-grid-container entry-content-wrapper main_color av-flex-cells     avia-builder-el-34  el_after_av_section  avia-builder-el-last  content-padding-top-0 submenu-not-first container_wrap fullsize' style=' '  >\n<div class=\"flex_cell no_margin av_one_full  avia-builder-el-35  avia-builder-el-no-sibling  grid-cell-top-50 grid-cell-bottom-150 grid-cell-left-80 grid-cell-right-80  av-zero-padding \"  style='background: #f2f2f0; vertical-align:top; padding:0px; background-color:#f2f2f0; ' ><div class='flex_cell_inner' ><div class=\"flex_column av_one_full  flex_column_div av-zero-column-padding first  avia-builder-el-36  avia-builder-el-no-sibling  \" style='border-radius:0px; '><div  data-autoplay=''  data-interval='5'  data-animation='fade'  data-show_slide_delay='90'  class='avia-content-slider avia-content-slider-active avia-content-slider1 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400w, https:\/\/aarch.dk\/wp-content\/uploads\/2022\/03\/arch4change-400x453-1-265x300.png 265w, https:\/\/aarch.dk\/wp-content\/uploads\/2022\/03\/arch4change-400x453-1-375x425.png 375w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><\/a><div class='slide-content'><header class=\"entry-content-header\"><span class=\"blog-date minor-meta\">09.03.2022<\/span><h3 class='slide-entry-title entry-title'  itemprop=\"headline\" ><a href='https:\/\/aarch.dk\/en\/arch4change-2\/' title='ARCH4CHANGE: A new ressource for learning and teaching sustainable architecture'>ARCH4CHANGE: A new ressource for learning and teaching sustainable architecture<\/a><\/h3><span class=\"av-vertical-delimiter\"><\/span><\/header><div class='slide-meta'><div class='slide-meta-comments'><a href='https:\/\/aarch.dk\/en\/arch4change-2\/#respond'>0 Comments<\/a><\/div><div class='slide-meta-del'>\/<\/div><time class='slide-meta-time updated'  itemprop=\"datePublished\" datetime=\"2022-03-09T14:11:06+01:00\" >09.03.2022<\/time><\/div><div class='slide-entry-excerpt entry-content'  itemprop=\"text\" >\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><span class='hidden'>\n\t\t\t\t<span class='av-structured-data'  itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" >\n\t\t\t\t\t\t<span itemprop='url'>https:\/\/aarch.dk\/wp-content\/uploads\/2022\/03\/arch4change-400x453-1.png<\/span>\n\t\t\t\t\t\t<span itemprop='height'>453<\/span>\n\t\t\t\t\t\t<span itemprop='width'>400<\/span>\n\t\t\t\t<\/span>\n\t\t\t\t<span class='av-structured-data'  itemprop=\"publisher\" itemtype=\"https:\/\/schema.org\/Organization\" itemscope=\"itemscope\" >\n\t\t\t\t\t\t<span itemprop='name'>Niels Rysz<\/span>\n\t\t\t\t\t\t<span itemprop='logo' itemscope itemtype='https:\/\/schema.org\/ImageObject'>\n\t\t\t\t\t\t\t<span 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av_one_fourth  real-thumbnail'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><a href='https:\/\/aarch.dk\/en\/wetlands-and-alumina-hybrid-landscapes-in-queensland\/' data-rel='slide-1' class='slide-image' title=''><img width=\"400\" height=\"453\" src=\"https:\/\/aarch.dk\/wp-content\/uploads\/2021\/03\/udvalgt-453x400-emg.gif\" class=\"attachment-slider-carousel-image-large size-slider-carousel-image-large wp-post-image\" alt=\"Queensland. Illustration: Eleanor Margot Gibson\" decoding=\"async\" loading=\"lazy\" \/><\/a><div class='slide-content'><header class=\"entry-content-header\"><span class=\"blog-date minor-meta\"><span class=\"blog-categories minor-meta\">Uncategorized <\/span><\/span><h3 class='slide-entry-title entry-title'  itemprop=\"headline\" ><a href='https:\/\/aarch.dk\/en\/wetlands-and-alumina-hybrid-landscapes-in-queensland\/' title='Wetlands and alumina: Hybrid Landscapes in Queensland'>Wetlands and alumina: Hybrid Landscapes in Queensland<\/a><\/h3><span class=\"av-vertical-delimiter\"><\/span><\/header><div class='slide-meta'><div class='slide-meta-comments'><a href='https:\/\/aarch.dk\/en\/wetlands-and-alumina-hybrid-landscapes-in-queensland\/#respond'>0 Comments<\/a><\/div><div class='slide-meta-del'>\/<\/div><time class='slide-meta-time updated'  itemprop=\"datePublished\" datetime=\"2021-03-23T11:32:32+01:00\" >23.03.2021<\/time><\/div><div class='slide-entry-excerpt entry-content'  itemprop=\"text\" >\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><span class='hidden'>\n\t\t\t\t<span class='av-structured-data'  itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" >\n\t\t\t\t\t\t<span itemprop='url'>https:\/\/aarch.dk\/wp-content\/uploads\/2021\/03\/udvalgt-453x400-emg.gif<\/span>\n\t\t\t\t\t\t<span itemprop='height'>453<\/span>\n\t\t\t\t\t\t<span itemprop='width'>400<\/span>\n\t\t\t\t<\/span>\n\t\t\t\t<span class='av-structured-data'  itemprop=\"publisher\" itemtype=\"https:\/\/schema.org\/Organization\" itemscope=\"itemscope\" >\n\t\t\t\t\t\t<span itemprop='name'>Niels Rysz<\/span>\n\t\t\t\t\t\t<span itemprop='logo' itemscope itemtype='https:\/\/schema.org\/ImageObject'>\n\t\t\t\t\t\t\t<span itemprop='url'>https:\/\/s3-eu-central-1.amazonaws.com\/aarchdk\/wp-content\/uploads\/2019\/02\/03164631\/aarch-logo-dark.svg<\/span>\n\t\t\t\t\t\t <\/span>\n\t\t\t\t<\/span><span class='av-structured-data'  itemprop=\"author\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/Person\" ><span itemprop='name'>Niels Rysz<\/span><\/span><span class='av-structured-data'  itemprop=\"datePublished\" datetime=\"2021-03-22T11:18:04+01:00\" >2021-03-23 11:32:32<\/span><span class='av-structured-data'  itemprop=\"dateModified\" itemtype=\"https:\/\/schema.org\/dateModified\" >2025-02-26 10:22:11<\/span><span class='av-structured-data'  itemprop=\"mainEntityOfPage\" itemtype=\"https:\/\/schema.org\/mainEntityOfPage\" ><span itemprop='name'>Wetlands and alumina: Hybrid Landscapes in Queensland<\/span><\/span><\/span><\/article><article class='slide-entry flex_column  post-entry post-entry-118292 type-post slide-entry-overview slide-loop-3 slide-parity-odd  post-entry-last  av_one_fourth  real-thumbnail'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><a href='https:\/\/aarch.dk\/en\/new-publication-partners-for-a-sustainable-future\/' data-rel='slide-1' class='slide-image' title=''><img width=\"400\" height=\"453\" src=\"https:\/\/aarch.dk\/wp-content\/uploads\/2021\/03\/basp-453x400-1.png\" class=\"attachment-slider-carousel-image-large size-slider-carousel-image-large wp-post-image\" alt=\"Radical Sustainable Architecture\" decoding=\"async\" loading=\"lazy\" srcset=\"https:\/\/aarch.dk\/wp-content\/uploads\/2021\/03\/basp-453x400-1.png 400w, https:\/\/aarch.dk\/wp-content\/uploads\/2021\/03\/basp-453x400-1-265x300.png 265w, https:\/\/aarch.dk\/wp-content\/uploads\/2021\/03\/basp-453x400-1-375x425.png 375w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><small class='avia-copyright'>Radical Sustainable Architecture<\/small><\/a><div class='slide-content'><header class=\"entry-content-header\"><span class=\"blog-date minor-meta\">22.03.2021<\/span><h3 class='slide-entry-title entry-title'  itemprop=\"headline\" ><a href='https:\/\/aarch.dk\/en\/new-publication-partners-for-a-sustainable-future\/' title='New Publication: Partners for a sustainable future'>New Publication: Partners for a sustainable future<\/a><\/h3><span class=\"av-vertical-delimiter\"><\/span><\/header><div class='slide-meta'><div class='slide-meta-comments'><a href='https:\/\/aarch.dk\/en\/new-publication-partners-for-a-sustainable-future\/#respond'>0 Comments<\/a><\/div><div class='slide-meta-del'>\/<\/div><time class='slide-meta-time updated'  itemprop=\"datePublished\" datetime=\"2021-03-22T11:18:04+01:00\" >22.03.2021<\/time><\/div><div class='slide-entry-excerpt entry-content'  itemprop=\"text\" >\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><span class='hidden'>\n\t\t\t\t<span class='av-structured-data'  itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" >\n\t\t\t\t\t\t<span itemprop='url'>https:\/\/aarch.dk\/wp-content\/uploads\/2021\/03\/basp-453x400-1.png<\/span>\n\t\t\t\t\t\t<span itemprop='height'>453<\/span>\n\t\t\t\t\t\t<span itemprop='width'>400<\/span>\n\t\t\t\t<\/span>\n\t\t\t\t<span class='av-structured-data'  itemprop=\"publisher\" itemtype=\"https:\/\/schema.org\/Organization\" itemscope=\"itemscope\" >\n\t\t\t\t\t\t<span itemprop='name'>Niels Rysz<\/span>\n\t\t\t\t\t\t<span itemprop='logo' itemscope itemtype='https:\/\/schema.org\/ImageObject'>\n\t\t\t\t\t\t\t<span itemprop='url'>https:\/\/s3-eu-central-1.amazonaws.com\/aarchdk\/wp-content\/uploads\/2019\/02\/03164631\/aarch-logo-dark.svg<\/span>\n\t\t\t\t\t\t <\/span>\n\t\t\t\t<\/span><span class='av-structured-data'  itemprop=\"author\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/Person\" ><span itemprop='name'>Niels Rysz<\/span><\/span><span class='av-structured-data'  itemprop=\"datePublished\" datetime=\"2021-03-22T11:18:04+01:00\" >2021-03-22 11:18:04<\/span><span class='av-structured-data'  itemprop=\"dateModified\" itemtype=\"https:\/\/schema.org\/dateModified\" >2024-08-09 12:32:47<\/span><span class='av-structured-data'  itemprop=\"mainEntityOfPage\" itemtype=\"https:\/\/schema.org\/mainEntityOfPage\" ><span itemprop='name'>New Publication: Partners for a sustainable future<\/span><\/span><\/span><\/article><\/div><\/div><\/div><\/div>\n<\/div><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":6,"featured_media":151752,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[392],"tags":[857,620],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v19.11 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Do Robots Dream of Digital Ornamentation? - Aarhus School of Architecture<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link 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