Publication \/ 2015<\/p>\n
Tectonics \u2013 The meaning of form<\/strong><\/h1>\nA publication by Karl Christiansen<\/h4>\n<\/div><\/section><\/div><\/div>\n\n<\/div><\/div><\/main><\/div><\/div>\n<\/div>The publication Tectonics \u2013 The meaning of form<\/em> deals with one of the core topics of architecture: the relationship between form and content. In the world of architecture, form is not only made from brick, glass and wood. Form means something. When a material is processed with sufficient technical skill and insight, a form, that cannot be described or explained in any other way, appears. The purpose of tectonics is apparent\u00a0when form and content merge and become one.<\/p>\nThe book contains 50 essays \u2013 specific stories that seem unrelated, but all revolve around form and content in different ways, with different perspectives. You can read the chapters in any order you like \u2013 from the beginning, end or the middle. There is no correct order. The project is methodologically inductive: the more essays you read, the broader your knowledge of tectonics get.<\/p>\n<\/div><\/section><\/div>
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The publication Tectonics \u2013 The meaning of form<\/em> deals with one of the core topics of architecture: the relationship between form and content. In the world of architecture, form is not only made from brick, glass and wood. Form means something. When a material is processed with sufficient technical skill and insight, a form, that cannot be described or explained in any other way, appears. The purpose of tectonics is apparent\u00a0when form and content merge and become one.<\/p>\n The book contains 50 essays \u2013 specific stories that seem unrelated, but all revolve around form and content in different ways, with different perspectives. You can read the chapters in any order you like \u2013 from the beginning, end or the middle. There is no correct order. The project is methodologically inductive: the more essays you read, the broader your knowledge of tectonics get.<\/p>\n<\/div><\/section><\/div>