{"id":193250,"date":"2023-02-17T09:48:35","date_gmt":"2023-02-17T08:48:35","guid":{"rendered":"https:\/\/aarch.dk\/beyond-boundaries-asger-jorns-vaegmalerier-i-havanna\/"},"modified":"2023-09-27T10:04:12","modified_gmt":"2023-09-27T08:04:12","slug":"beyond-boundaries-asger-jorns-vaegmalerier-i-havanna","status":"publish","type":"post","link":"https:\/\/aarch.dk\/en\/beyond-boundaries-asger-jorns-vaegmalerier-i-havanna\/","title":{"rendered":"Beyond Boundaries: Asger Jorn’s murals in Havanna"},"content":{"rendered":"
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Forskningsprojekter<\/a><\/p>\n<\/div><\/section>\n

BEYOND BOUNDARIES: ASGER JORN’S MURALS IN HAVANNA<\/h1>\n<\/div><\/section>\n

In 1968, Asger Jorn painted on almost every interior surface of the Archive of the Revolutions, in Havana. These paintings are a physical expression of the artist’s theories about the interaction between art and architecture; theories that break with the idea of art as a commodity or a museum object.<\/p>\n<\/div><\/section>\n<\/div><\/div><\/main><\/div><\/div>

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That the frescoes even exist today is a miracle. They are, however, at risk and in danger of being destroyed by moisture and poor storage. With the aid of 3D scanning, we can today not only make the murals accessible to the public but also create virtual reproductions of the spatial context they are a part of – and ensure they are preserved for posterity.<\/p>\n

New knowledge about known works of art<\/h5>\n

The project is an artistic research experiment that investigates how we can not only use technology to solve a physical problem, but also how, by utilising the technical potential of interaction, we can communicate the art and Asger Jorn’s approach to architecture in an entirely new way.<\/p>\n<\/div><\/section><\/div>

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