{"id":33420,"date":"2016-10-07T13:49:09","date_gmt":"2016-10-07T11:49:09","guid":{"rendered":"https:\/\/aarch.dk\/?p=33420"},"modified":"2023-11-30T10:59:36","modified_gmt":"2023-11-30T09:59:36","slug":"lights-space","status":"publish","type":"post","link":"https:\/\/aarch.dk\/en\/lights-space\/","title":{"rendered":"LIGHT\u2019S SPACE"},"content":{"rendered":"
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Completed PhD projects<\/a><\/p>\n<\/div><\/section>\n

LIGHT\u2019S SPACE<\/h1>\n<\/div><\/section>\n

The spatial potential of the facade<\/p>\n<\/div><\/section>\n

PhD project by Louise Gr\u00f8nlund<\/p>\n<\/div><\/section>\n\n<\/div><\/div><\/main><\/div><\/div>

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This something<\/h5>\n

\u201c\u2026 light is not the only precondition of visibility. Darkness is another. True, light and darkness are asymmetrical. Light is a precondition for seeing, at all, whereas darkness (interacting with light) is a precondition for our seeing something\u201d Gernot B\u00f6hme.<\/p>\n

This is the overall frame of this PhD project. The project seeks to study the relation between light and darkness and\u00a0the way they interact with form. In that sense the project focuses on a development of forms that shows light \u2013\u00a0and thereby also the darkness \u2013 the shadow.<\/p>\n

In order to make light emerge, there must be a material that light can be processed on. This material creates the difference, which makes it possible for the light to become visible, as B\u00f6hme also describes in the quote above.<\/p>\n

It is this\u00a0something\u00a0<\/em>\u2013 this difference that in this project, forms the transition between indoors and outdoors. The wall\u00a0provides an inside, a border, and the opening establishes a relationship with the outside world. The light opening\u00a0is the lens that creates a view and thereby makes both a connection to an outside as well as the opening brings an\u00a0outside which is the light \u2013 into the space.<\/p>\n

It is this transition or zone that the project focuses on. The space seen from the inside towards the outside, but the only focus is on the form of the space inside and not on the fa\u00e7ade of the outside.<\/p>\n<\/div><\/section><\/div>

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LIGHT\u2019S SPACE<\/div><\/div><\/div><\/div>
LIGHT\u2019S SPACE<\/div><\/div><\/div><\/div>
LIGHT\u2019S SPACE<\/div><\/div><\/div><\/div>
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The books<\/h5>\n

The project is evolving through a reflecting practice. And thereby using both an analog working method as well as writings. The analog works consist of models, drawings and photographs.<\/p>\n

The structure of the project and its process is produced in a series of books \u2013 in different sizes, formats and materials. The books are made continuously and are thereby connected. They establish both an overview when they are looked at in total \u2013 but also fragments, when seen as only one by one.<\/p>\n

Supervisors<\/h5>\n